24 Best Fuji Lenses Today

Are you struggling to select the best Fuji Lenses for your Fujifilm camera?

Then you’ve come to the right place.

Because in this article, I’m going to reveal everything you need to know about Fuji lenses.

My path to the Fujifilm brand was twisted and lasted for more than 10 years.

I stared with Canon DSLR, as many beginners did at the dawn of digital photography.

But after years of being a loyal Canon shooter, I realized that Canon was not ready to embrace mirrorless technologies, and I started to look for better alternatives. Sony was a logical choice because it was time when the company tried to penetrate a very competitive digital camera market by innovating at an incredible speed.

Even though I loved my Sony a6XXX cameras, the lack of quality APS-C lenses was a real issue. For 3 years, when I was shooting with Sony, the company did not introduce even one APS-C lens.

That was the time when I decided to switch from Sony to Fujifilm and to give a try to its camera and lenses. And I am glad I did it. It was a game-changer for my photography.

Fujifilm is famous for its unique retro camera design with unconventional functionality based on mechanical controls, almost unlimited customization and high-quality X-Trans sensors. Even though I appreciate the Fujifilm cameras, I am sticking with Fuji because of its lenses.

When you shoot with different lens brands (Canon, Nikon, Sony), you have to deal with confusing lens selection because they manufacture lenses for both Full-Frame and APS-C cameras. And it is not always easy to select the right lenses for crop sensor cameras.

With Fujifilm, you do not have such a problem because it does not make full-frame cameras, APS-C only. All Fuji lenses are designed and optimized for crop sensor cameras. What it means is that Fuji makes the best APS-C cameras and the best line of APS-C lenses.

Unbeatable combination.

For this article, I selected 24 best Fujifilm lenses and grouped them into different lens categories based on practical applications.

Best Fuji Wide Angle Lens

Wide angle lenses are the cornerstone of landscape photography. But because of the crop factor when shooting with APS-C cameras, it is a real challenge to design and make quality ultra wide angle lenses. Fujifilm solved the problem with flying colors.

Fujinon 10-24mm F4 is my go-to landscape lens, probably my favorite Fuji lens around. And if you need even wider and faster glass, Fujinon 8-16mm F2.8, which is a pro-grade model, is available to you.

Plus, if you are a prime lens shooter, there are 2 very capable models to choose from.

Best Fuji Lens for Travel

The way I identify the best travel lens is by asking myself a simple question:

“If I had to go on an extended two to three-week trip and only bring one lens, what lens would I take?”

At this point, you have 4 very capable travel options. It starts with a high-quality kit lens, 18-55mm F2.8-4, a compact, and lightweight travel companion. And if you need pro-grade glass, the Fujinon 16-55 F2.8 is always available to you.

And in between, you have two super zoom weather-sealed models.

Best Fuji Portrait Lens

If you are a wedding, event, or studio photographer, you probably have the best lens selection to choose from.

You can pick up fast primes with classical portrait focal lengths: 35mm F1.4 (50mm equivalent), 56mm F1.2 (85mm equivalent), 90mm F2 (135mm equivalent) and pro-grade zoom 50-140 F2.8 (70-200 equivalent).

Best Fuji Lenses for Street Photography

Fujifilm has truly unique, high-quality compact cameras (XT20, XT30, XE3) that are the perfect fit for street photography. And when you accompany them with small, high-quality prime lenses, you get yourself a stealthy and compact street photography setup.

Best Fujifilm Macro Lens

Fujifilm does not have an extensive collection of macro lenses. Actually, they have only one true macro lens with 1:1 magnification. But, the 80mm F2.8 macro model is by far the best APS-C macro lens on the market.

Best Fuji Budget Lens

Even though Fujifilm lenses are not very expensive, considering their high build and optical quality, for a long time, the budget selection was quite limited.

In recent years, Fujifilm corrected the shortcoming by releasing a series of budget models. It started with compact, weather-sealed F2 primes, 23mm, 35mm, and 50mm. And recently, they released a wide-angle budget prime 16mm F2.8.

And now, they are starting to introduce sub $200 primes like XC 35mm F2.

Best Fuji Lenses (24 Models)

1. Fujinon XF 8-16mm F2.8 R LM WR

Mount: X-Mount
Filter Diameter: None
Minimum Aperture: f/22
Maximum Aperture: f/2.8
Aperture Blades: 9
Auto Focus: Yes
Stabilization: Yes
Weather sealing: Yes
Minimum Focusing Distance: 9.8″ / 25 cm
Field of view: 121° – 83°
Weight: 1.8lb / 800g
Size: 3.5 x 4.8″ / 88 x 121 mm
Recommended Reviews: Andy Mumford (YouTube)
Sample Photos: Photo 1, Photo 2, Photo 3

When you need to work with ultrawide focal lengths the XF 8-16mm f/2.8 is Fujifilm’s APS-C answer to the full-frame Canon 11-24mm f/4 and Nikon 14-24mm f/2.8.

Covering a 12-24mm equivalent range this is an ideal lens for landscapes, architecture, astrophotography, event work, and other genres where expansive views are needed. The f/2.8 aperture is also fairly wide making this a good alternative to the XF 10-24mm f/4!

Despite the relatively hefty weight (805 g.) the linear focusing motors (LM) swiftly and silently move the large glass elements in place. 

As weather sealed lens the 8-16mm f/2.8 is tailor-made to outdoor landscape photographers that regularly encounter dust and moisture thanks to 11 seals and a fixed rear element.

Like all XF red badge lenses we can expect top quality image quality as well. Flare resistance is excellent as is sharpness and color fringing control! Even at f/2.8 the 8-16mm offers great performance and only improves as the lens aperture is reduced. 

See also: The Concept of Holy Trinity of Lenses Explained

Unfortunately the lens does have a major quirk that affects landscape and other wide angle photographers. The 8-16mm has a curved front element and fixed lens hood, which makes traditional screw-in filters impossible to use. 

Still, so long as you’re willing to use square filters or go without the XF 8-16mm f/2.8 is the best ultrawide zoom Fujifilm has to offer!

Check Buyer Reviews & Price for the Fujinon XF 8-16mm F2.8 R LM

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2. Fujinon XF 10-24mm F4 R OIS

Mount: X-Mount
Filter Diameter: 72mm
Minimum Aperture: f/22
Maximum Aperture: f/4
Aperture Blades: 7
Auto Focus: Yes
Stabilization: Yes
Weather sealing: No
Minimum Focusing Distance: 9.5″ / 24 cm
Field of view: 110° – 61°
Weight: 14.5oz / 410g
Size: 3 x 3.5″ / 78 x 87 mm
Recommended Reviews: Andy Mumford (YouTube)
Sample Photos: Photo 1, Photo 2, Photo 3

The Fujifilm 10-24mm f/4 is the lens of choice for landscape photographers. It is bitingly sharp and covers everything from an ultra-wide (15mm equivalent) to a wide-normal (35mm equiv.) field of view. Architecture, real estate, and event photographers will also find the range useful for a lot of their work!

The optical image stabilization (OIS) system covers up to 3 stops of shutter speed reduction to make up for narrow f/4 aperture in low light settings. OIS also prevents motion blur while shooting without a tripod. 

For such a versatile zoom lens it is quite light and compact at 410 g. Optical distortion is minimal to nonexistent throughout the focal range as well.

However, there are a few downsides to consider. No weather sealing is a major omission from what is clearly a landscape photographer’s tool. Dust and rain are constant worries outdoors and this should have been included. The f/4 maximum aperture is constant but relatively narrow as well, limiting its usefulness as an astrophotography lens.

Despite all this, the 10-24mm remains the best lens for any photographer who needs to include as much scenery as possible!

Check Buyer Reviews & Price for the Fujinon XF 10-24mm F4 R OIS

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3. Fujinon XF 16-55mmF2.8 R LM WR

Mount: X-Mount
Filter Diameter: 72mm
Minimum Aperture: f/22
Maximum Aperture: f/4
Aperture Blades: 7
Auto Focus: Yes
Stabilization: Yes
Weather sealing: No
Minimum Focusing Distance: 9.5″ / 24 cm
Field of view: 110° – 61°
Weight: 14.5oz / 410g
Size: 3 x 3.5″ / 78 x 87 mm
Recommended Reviews: Andy Mumford (YouTube)
Sample Photos: Photo 1, Photo 2, Photo 3

Professional photographers looking for the classic 24-70mm zoom should look no further than the Fujifilm 16-55mm f/2.8! 

This is the wedding and event photographer’s ideal lens as the focal length versatile enough to cover everything from group photos and interior shots to portraits. Also, the wide f/2.8 aperture is useful for both low light environments and subject isolation.

Considering this is Fujifilm’s answer to professional full frame 24-70mm setups, image quality is superb. In terms of sharpness, color fringing, and corner details, the 16-55mm f/2.8 is a top tier lens with no compromises. 

Twin linear motors (LM) ensure autofocusing is snappy and it is fully weather sealed through rubberized joints and a metal chassis. The weatherization and wide angle view makes it an ideal landscape photographer’s tool as well.

Unfortunately, because it is a no compromise lens, there are more (and larger) glass elements than many other Fujifilm lenses. All of this glass ensures the 16-55mm is on the hefty side (655 g.). The lack of optical image stabilization is also disappointing.

However, most photographers will gladly overlook the weight and lack of image stabilization in favor of the versatility and image quality of the 16-55mm f/2.8!

Check Buyer Reviews & Price for the Fujinon XF 16-55mmF2.8 R LM

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4. Fujinon XF 16mm F1.4 R WR

Mount: X-Mount
Filter Diameter: 67mm
Minimum Aperture: f/16
Maximum Aperture: f/1.4
Aperture Blades: 9
Auto Focus: Yes
Stabilization: None
Weather sealing: Yes
Minimum Focusing Distance: 6″ / 15 cm
Field of view: 83°
Weight: 13oz / 375g
Size: 3 x 2.9″ / 73 x 73 mm
Recommended Reviews: Gajan Balan (YouTube)
Sample Photos: Photo 1, Photo 2, Photo 3

The XF 16mm f/1.4 is a fantastic wide-angle lens that may be the most versatile prime lens in the Fujifilm lineup! The 24mm equivalent focal length is useful for events, astrophotography, weddings, landscapes, environmental portraiture, and much more. 

And with the wide f/1.4 aperture you have not only flexibility in low light settings but can also achieve impressively shallow depth of field despite the wide field of view. The close focus distance is less than 6 inches (15cm) and allows for a pseudo-macro magnification of .21x

Optically the 16mm f/1.4 is one of the best Fujifilm lenses. Many use software correction to make up for vignetting, color fringing, and distortion. However this lens is fully optically corrected.

The only real flaw of the 16mm f/1.4 is that it’s on the larger side for an APS-C prime lens (375 g). And while it is weather sealed, it does not include image stabilization.

Still, this is a hard lens to a fault. With such a useful focal length, wide aperture, and close focus capacity the 16mm f/1.4 can find a place in nearly any photographer’s bag!

Check Buyer Reviews & Price for the Fujinon XF 16mm F1.4 R W

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5. Fujinon XF 16mm F2.8 R WR

Mount: X-Mount
Filter Diameter: 49mm
Minimum Aperture: f/22
Maximum Aperture: f/2.8
Aperture Blades: 9
Auto Focus: Yes
Stabilization: None
Weather sealing: Yes
Minimum Focusing Distance: 6.7″ / 17 cm
Field of view: 83°
Weight: 5.5oz / 155g
Size: 2.4 x 1.8″ / 60 x 45mm
Recommended Reviews: C. Frost (YouTube)

Photographers looking for a lighter wide angle will find the XF 16mm f/2.8 perfect for their needs. While not as great in low light as the 16mm f/1.4, the newer f/2.8 version is nearly as good optically and is much less expensive as well!

Like all of the refreshed XF lenses the 16mm f/2.8 is weather sealed against dust and moisture exposure. It also uses silent, swift focusing motors that make it ideal for vlogging and videography use. 

The 24mm equivalent field of view is fantastic for environmental portraiture, documentary, street, and landscape photography. This is the beginning of true wide angle photography and the subtle perspective distortion adds drama to images when subjects are close to the lens!

Combined with a small camera like the X-T30 the 16mm f/2.8 is a lightweight blazing fast dream setup for landscape and travel photographers who want to keep things small without sacrificing image quality.

The only real downside of this lens is the f/2.8 aperture. It is narrower than the other WR f/2 primes and makes the new 16mm less useful in low light and for shallow depth of field.

Despite this, the 16mm f/2.8 is an excellent choice for exploring wide angle photography without the weight!

Check Buyer Reviews & Price for the Fujinon XF 16mm F2.8 R WR

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6. Fujinon XF 16-80mm F4 R OIS WR

Mount: X-Mount
Filter Diameter: 72mm
Minimum Aperture: f/22
Maximum Aperture: f/4
Aperture Blades: 9
Auto Focus: Yes
Stabilization: Yes
Weather sealing: Yes
Minimum Focusing Distance: 1.15′ / 35cm
Field of view: 83° – 20°
Weight: 15.5oz / 440g
Size: 3.1 x 3.5″ / 78 x 89mm
Recommended Reviews: Theoria Apophasis (YouTube)
Sample Photos: Photo 1, Photo 2, Photo 3

Travel photographers usually need an expansive focal range for the diverse subjects they find; the XF 16-80mm is Fujifilm’s newest zoom lens and perfect for the genre!

As great as the older 18-135mm is the 16-80mm is lighter and uses a more advanced optical image stabilization (OIS) system. With up to 6 stops of stabilization provided shutter speeds can be drastically reduced to compensate for low light without sacrificing sharpness. 

The 16-80mm also offers additional width on the wide end for expansive landscape and architecture shots and is smaller and lighter to boot compared to the 18-135mm. 

Image quality is excellent, with great central sharpness and corners that can be a touch soft but sharpen up nicely when stopped down. There is no color fringing to be found even wide open at f/4.

The constant f/4 aperture is nice for reliable exposure but is on the narrow end. And unlike the 18-135mm the 16-80mm may not have enough reach for wildlife and other distant subjects.

If you’re willing to exchange reach for additional width and need a light, weather sealed zoom the 16-80mm is recommended for photographers who shoot unpredictable subjects in the outdoors!

Check Buyer Reviews & Price for the Fujinon XF 16-80mm F4 R OIS WR

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7. Fujinon XF 18-135mm F3.5-5.6 R LM OIS WR

Mount: X-Mount
Filter Diameter: 67mm
Minimum Aperture: f/22
Maximum Aperture: f/3.5-5.6
Aperture Blades: 7
Auto Focus: Yes
Stabilization: Yes
Weather sealing: Yes
Minimum Focusing Distance: 1.5′ / 45cm
Field of view: 76.5° – 12°
Weight: 1.1lb / 490 g
Size: 3 x 3.9″ / 76 x 98mm
Recommended Reviews: Andy Mumford (YouTube)
Sample Photos: Photo 1, Photo 2, Photo 3

Photographers looking for ultimate travel lens will find that the Fujifilm 18-135mm f/3.5-5.6 can take great photos in any situation! The 18-135mm focal range covers everything from wide landscapes to distant wildlife with a twist of the barrel.

5 stops of optical image stabilization (OIS) is one of the highest values in the industry!  OIS lets you use slower shutter speeds to make up for the relatively narrow aperture without hand shake causing blur. 

Weatherized rubber seals along the length of the barrel prevent dust and moisture from damaging the inner electronics. When paired with a weather sealed camera body you can shoot in difficult conditions without fear.

Superzooms do suffer compromises in image sharpness but they are very well controlled in the 18-135mm. Image corners can be a little soft however they do improve as you use narrower apertures. 

Also, 18mm is not especially wide when shooting landscapes and architecture – 16mm would have been ideal.

Despite this, with weather resistance, OIS, and an expansive focal range, the 18-135mm is the best do-it-all lens in Fujifilm’s lineup!

Check Buyer Reviews & Price for the Fujinon XF 18-135mm F3.5-5.6 R LM OIS WR

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8. Fujinon XF 18-55mm F2.8-4 R LM OIS

Mount: X-Mount
Filter Diameter: 58mm
Minimum Aperture: f/22
Maximum Aperture: f/2.8 – 4
Aperture Blades: 7
Auto Focus: Yes
Stabilization: Yes
Weather sealing: No
Minimum Focusing Distance: 12″ / 30cm
Field of view: 79° to 28°
Weight: 11oz / 310g
Size: 2.6 x 2.8″ / 65 x 70 mm
Recommended Reviews: C. Frost (YouTube)
Sample Photos: Photo 1, Photo 2, Photo 3

If you are a Fujifilm shooter and looking for a lightweight walkaround zoom lens the Fujifilm 18-55 f/2.8-4 is an excellent choice. The lens offers wide apertures across the entire focal range which is unheard of for typical kit lenses. This allows you to work in relatively low light conditions while shooting indoor portraits, events, architecture, and other subjects. 

And with 4 stops of optical image stabilization, you can capture images at much slower shutter speed without losing sharpness. A control switch on the barrel for the stabilization system makes it easy to turn it off when using a tripod

The build quality is also excellent, with an all glass and metal construction and a physical aperture ring. 

Optical quality, especially sharpness, is fantastic for an entry level zoom and suitable for professional level work. However chromatic aberrations aren’t nearly as well controlled compared to high end lenses in the lineup and need correction in post when shooting wide open.

Given that it weighs so little (310 g.) it will easily find a place in your bag as an inexpensive zoom covering a versatile focal range!

Check Buyer Reviews & Price for the Fujinon XF 18-55mm F2.8-4 R LM OIS

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9. Fujinon XF 23mm F1.4 R

Mount: X-Mount
Filter Diameter: 62mm
Minimum Aperture: f/16
Maximum Aperture: f/4
Aperture Blades: 7
Auto Focus: Yes
Stabilization: No
Weather Sealing: No
Minimum Focusing Distance: 11″ / 28cm
Field of view: 64°
Weight: 11oz / 300g
Size: 2.8 x 2.5″ / 72 x 63mm
Recommended Reviews: C. Frost (YouTube)
Sample Photos: Photo 1, Photo 2, Photo 3

With a 35mm equivalent focal length the 23mm f/1.4 is a versatile wide-normal lens that can be used for everything from landscapes to event images. The wide f/1.4 aperture makes it an excellent low light and portrait lens as well. 

Weighing in at 300g the 23mm f/1.4 is quite light compared to full-frame versions that can weigh more twice as much.

Optically the 23mm f/1.4 is one of the best lenses in the lineup. While slightly softer wide open it sharpens up quickly and has little in the way of color fringing. Distortion is entirely absent as well.

As an older XF lens it uses a slower, somewhat noisier focusing motor design. While not as noisy as the infamous 35mm f/1.4 the 23mm is still going to be noticeably loud compared to the newer XF lenses. And considering how versatile this lens is, it’s a shame weather sealing wasn’t included.

Still, this is an essential lens for Fujifilm prime lens users who need a 35mm equivalent and find the 23mm f/2 too narrow in aperture!

Check Buyer Reviews & Price for the Fujinon XF 23mm F/1.4 R

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10. Fujinon XF 27mm F2.8

Mount: X-Mount
Filter Diameter: 39mm
Minimum Aperture: f/16
Maximum Aperture: f/2.8
Aperture Blades: 7
Auto Focus: Yes
Stabilization: No
Minimum Focusing Distance: 1.1′ / 34cm
Field of view: 55°
Weight: 2.8oz / 78g
Size: 2.4 x 0.9″ / 61 x 23mm
Recommended Reviews: C. Frost (YouTube)
Sample Photos: Photo 1, Photo 2, Photo 3

Street and travel photographers in need of a light prime with a useful focal length should consider the XF 27mm f/2.8.

As a “pancake” lens the 27mm is especially small and discrete and pairs nicely with smaller Fujifilm bodies (XT30, XE3, XT200) for a stealthy street combination! At 78 g. the 27mm pancake can easily be slipped into a pocket when not in use.

The 40mm equivalent focal length is also the “perfect normal” view. 40mm is closer than either 35mm or 50mm to what our eyes naturally focus on, making photo composition especially intuitive!

The only real downsides are the slow and fairly noisy focusing motor. As an older Fujifilm lens it doesn’t benefit from the swift, silent motors of the newer generation. The f/2.8 aperture is not too narrow but won’t be enough in low light environments and can result in focus hunting.

Fortunately, the price tag more than makes up for these minor issues! If you need an inexpensive and versatile prime that takes up next to no space in your bag the XF 27mm f/2.8 is perfect for your street and travel needs!

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11. Fujinon XF 35mm F1.4 R

Mount: X-Mount
Filter Diameter: 52mm
Minimum Aperture: f/16
Maximum Aperture: f/1.4
Aperture Blades: 7
Auto Focus: Yes
Stabilization: No
Minimum Focusing Distance: 11″ / 28 cm
Field of view: 44°
Weight: 6.5oz / 190g
Size: 2.6 x 2.2″ / 65 x 55 mm
Recommended Reviews: Alex On Streets (YouTube)
Sample Photos: Photo 1, Photo 2, Photo 3

If you’re looking for that one “must have” generalist prime lens the Fujifilm 35mm f/1.4 R is incredibly popular for very good reasons!

50mm equivalent prime lenses (the Nifty Fifty) are popular across brands. The field of view is very natural to compose shots from and these lenses are easy to make small. The 35mm f/1.4 is impressively light for a fast prime at 187 g.! 

When designing this lens Fujifilm’s engineers realized they could choose to create a true “character” lens even if it meant sacrificing some sharpness and focus speed. They truly succeeded; the 35mm f/1.4 has a splendid rendering that’s sharp yet not clinically so. 

Color contrast is excellent and you have plenty of subject isolation with such a wide aperture. Portraits, landscapes, street photography, and more all benefit from the distinctive look of this lens.

While the 35mm f/1.4 is legendary it does have a few quirks. As one of the original Fujinon lenses it uses a dated autofocus system that’s noisy and hunts for focus sometimes. 

This hunting negates some of the benefits of the f/1.4 aperture in low light. Many of the newer lenses also include image stabilization however the 35mm f/1.4 does not.

Still, this is a lens that you should never leave home without. This is a true character lens with a focal length usable anytime, anywhere!

Check Buyer Reviews & Price for the Fujinon XF 35mm F1.4 R

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12. Fujinon XC 35mm F2

Mount: X-Mount
Filter Diameter: 43mm
Minimum Aperture: f/16
Maximum Aperture: f/2
Aperture Blades: 9
Auto Focus: Yes
Stabilization: No
Weather Sealing: No
Minimum Focusing Distance: 1.15′ / 35cm
Field of view: 44°
Weight: 4.6oz / 130g
Size: 2.3 x 1.8″ / 58 x 47 mm
Sample Photos: Photo 1, Photo 2, Photo 3

Nifty fifty (50mm equivalent) lenses are versatile and popular; the XC 35mm f/2 is the latest XC lens and the very first prime in this budget series!

XC lenses are not given nearly as much credit as they deserve. Most use identical glass optics to the premium XF line but miss out on the metal construction. These lenses are never weather resistant and are constructed out of plastic instead.

If build quality is second to image quality rest assured that the XF 35mm f/2 is every bit as sharp and contrasty as the original XF 35mm f/2 R WR. Even at f/2 sharpness and contrast are outstanding and only improve as the lens is stopped down.

Vignetting, color fringing, and distortion are fully software corrected as well for perfect images out of camera! In other words you can have professional quality glass on a beginner’s budget!

The only real downsides come when comparing this lens to the XF 35mm f/2. Weatherized metal is hard to give up as is the dedicated aperture ring. 

So long as you don’t mind the plastic build the XC 35mm f/2 is your one-prime solution to everything from portraits to event photography!

Check Buyer Reviews & Price for the Fujinon XC 35mm F2

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13. Fujinon XF 56mm F1.2 R

Mount: X-Mount
Filter Diameter: 62mm
Minimum Aperture: f/16
Maximum Aperture: f/1.2
Aperture Blades: 7
Auto Focus: Yes
Stabilization: No
Minimum Focusing Distance: 2.3′ / 70cm
Field of view: 28.5°
Weight: 14.3oz / 405g
Size: 3 x 2.7″ / 73 x 70 mm
Recommended Reviews: Omar Gonzalez (YouTube)
Sample Photos: Photo 1, Photo 2, Photo 3

The XF 56mm f/1.2 is the lens of choice for portrait photographers in need of a supremely shallow depth of field!

Designed to compete with the popular 85mm f/1.4 lenses it offers background blur and subject isolation on par with full-frame portrait lenses. The 85mm field of view is long enough for noticeable telephoto background compression without feeling too remote from your subjects.

Wide open there is a minor amount of vignetting but as a portrait lens this is both expected and even aesthetically pleasing! The 56mm f/1.2 is also razor sharp at all aperture values and both distortion and color fringing are minimal to non-existent. 

The sheer mass of glass for an f/1.2 lens means the motor isn’t as quick as newer or narrower aperture lenses. Combined with the extremely narrow depth of field, the 56mm will sometimes hunt for focus, especially when subjects are moving.

So long as you recognize the focusing limitations that come with shallow depth of field the XF 56mm f/1.2 is a must-have for photographers trying to replicate the full-frame look!

Check Buyer Reviews & Price for the Fujinon XF 56mm F1.2 R

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14. Fujinon XF 23mm, 35mm, 50mm F/2 R WR

Photographers looking for a versatile set of fast prime lenses that are light yet don’t skimp on image quality should consider the XF 23mm, 35mm, and 50mm f/2 R WR set. They are often known as “Fujicrons” as they are similar to the Leica Summicron f/2 series.

This trinity of prime lenses provide a lightweight, compact alternative to the well-loved but older Fujifilm 23mm f1.4, 35mm f1.4, and 56mm f1.2. In exchange for one stop less aperture we gain swift and silent focusing motors, weather resistance, and much lighter builds.

The f/2 Trinity is a great three-lens kit that many photographers find meets all of their needs. 23mm covers everything from street to landscape work while the 50mm f/2 is excellent for both head and shoulders or full body portraiture. The 35mm f/2 is the classic Nifty Fifty equivalent and can be used for nearly anything. 

Image quality is excellent; the WR f/2 primes are just as sharp as the wide aperture versions and are especially vibrant in color contrast.

The only real drawback is that their combined focal range still doesn’t match that of a standard zoom like the XF 18-55mm or 16-55mm. You do gain the wider aperture but switching lenses does take time compared to twisting a zoom ring.

That being said if the weight, price, and image quality are your main considerations the Fujicron Trinity is a versatile trio to work with!

Check Buyer Reviews & Price for the Fujinon XF 23mm, 35mm, 50mm f/2 R WR

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15. Fujinon XF 80mm F2.Fuji_80mm_f_2_88 R LM OIS WR

Mount: X-Mount
Filter Diameter: 62mm
Minimum Aperture: f/22
Maximum Aperture: f/2.8
Aperture Blades: 9
Auto Focus: Yes
Stabilization: Yes
Minimum Focusing Distance: 9.8″ / 25 cm
Field of view: 20°
Weight: 1.7lb / 750g
Size: 3.2 x 5″ / 80 x 130mm
Recommended Reviews: Andrew & Denae (YouTube)
Sample Photos: Photo 1, Photo 2, Photo 3

Macro photographers looking for optimal close focus capacity and resistance to the elements should consider the XF 80mm f/2.8. 

Insects, flowers, product shots, food photography, and other detail oriented genres will benefit greatly from the true 1:1 reproduction ratio of this lens. The older 60mm f/2.4 Macro is significantly less expensive but only provides a 1:2 ratio. 

The XF 80mm f/2.8 also provides great telephoto background compression and has a wide enough aperture for shallow depth of field in portrait photography.

Fujfiilm added all of the latest technological enhancements, including swift focusing linear motors, 5 stops of stabilization for hand shake control, and weather resistance for outdoor photography.

The only real downside is the weight of this lens. At 750 g. it is the second heaviest prime lens in the XF lineup and three times heavier than the older 60mm f/2.4 Macro.

Still, the new 80mm f/2.8 is a worthy successor and one of the best 1:1 macro lenses regardless of camera brand!

Check Buyer Reviews & Price for the Fujinon XF 80mmF2.8 R LM OIS WR

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16. Fujinon XF 90mm f/2 R LM WR

Mount: X-Mount
Filter Diameter: 62mm
Minimum Aperture: f/16
Maximum Aperture: f/2
Aperture Blades: 7
Auto Focus: Yes
Stabilization: No
Minimum Focusing Distance: 1.97′ / 60cm
Field of view: 18°
Weight: 1.2lb / 540g
Size: 3 x 3.5″ / 78 x 87 mm
Sample Photos: Photo 1, Photo 2, Photo 3

Portrait photographers looking for a longer focal length have the XF 90mm f/2 to work with! The distant reach, fast aperture, and professional image quality also makes it perfect for landscape and event photographers as well!

Quad linear motors (LM) silently and quickly focus despite the relatively heavy glass elements. And weather sealing means that even outdoor shoots go flawlessly despite moisture and dust exposure.

The 90mm f/2 is consistently rated as one of the sharpest Fujifilm lenses, even wide open at f/2. Color fringing is completely absent as well and the background compression and blur are ideal for classic portraiture!

While an excellent lens, the 135mm equivalent field of view is a bit difficult for some photographers to use. It requires a far working distance for portraits and is sometimes too long for indoor photography. 

The lack of image stabilization is also very unfortunate. Telephoto lenses are especially prone to sharpness losses due to hand shake; OIS would have been perfect for the 90mm f/2!

So long as you can overcome the lack of stabilization and find the focal length appealing the XF 90mm f/2 won’t disappoint!

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17. Fujifilm XF 50-140mm f/2.8 R LM OIS WR

Mount: X-Mount
Filter Diameter: 72mm
Minimum Aperture: f/22
Maximum Aperture: f/2.8
Aperture Blades: 7
Auto Focus: Yes
Stabilization: Yes
Weather Sealing: Yes
Minimum Focusing Distance: 3.28′ / 1m
Field of view: 32° – 12°
Weight: 2.2lb / 995g
Size: 3.3 x 7″ / 83 x 176mm
Sample Photos: Photo 1, Photo 2, Photo 3

The Fujifilm 50-140mm f/2.8 is the lens of choice for professional photographers in need of both telephoto reach and wide aperture.

70-200mm full-frame lenses are essential for sports, documentary, and event photographers. The 50-140mm equivalent focal length ensures you can not only create close cropped compositions at a distance but includes all of Fujifilm’s finest lens enhancements.

As an optically stabilized (OIS) lens you can shoot while using shutter speeds up to five stops slower than usual. This provides not only an advantage in low light settings but also helps prevent losses in sharpness due to motion blur.

And thanks to weather resistance (WR) dust and moisture are blocked through 20 separate rubber seals throughout the barrel. As a professional lens sharpness, color contrast, and focusing speed are all competitive with equivalent full-frame lenses!

One major drawback is that it’s a massive lens for the APS-C format. At 1,093g it is the third heaviest lens in the XF lineup. And at $1,599 the price is on par with full-frame offerings.

Still, there is no other lens like it for Fujifilm photographers. If you’re in need of a wide aperture on a telephoto zoom lens the 50-140mm f/2.8 is a mandatory addition to your kit.

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18. Fujinon XF 55-200mm F3.5-4.8 R LM OIS

Mount: X-Mount
Filter Diameter: 62mm
Minimum Aperture: f/22
Maximum Aperture: f/3.5-4.8
Aperture Blades: 7
Auto Focus: Yes
Stabilization: Yes
Minimum Focusing Distance: 3.61’/ 1.1m
Field of view: 29° to 8°
Weight: 21oz / 580g
Size: 3 x 4.5″ / 75 x 118 mm
Sample Photos: Photo 1, Photo 2, Photo 3

Fujifilm provides several telephoto zoom lenses with image stabilization and the least expensive is the XF 55-200mm f/3.5-4.8.

It is an attractive choice because it has the third longest focal length of any zoom in the Fujifilm lineup. And out of the top three it has a wider maximum aperture and only a little less reach than the cheaper XC 50-230mm. Telephoto landscapes, events, and portraits are just a few places where the 55-200mm shines.

Build quality is also on par with other XF lenses, with a fully metal build, aperture control ring, and a barrel designed to resist len zoom creep.

The 55-200mm is especially impressive in terms of sharpness with both the center region and edges crisp across the focal range. Distortion and color fringing are also very well corrected.

There are a few drawbacks to consider, however. For one, it is a little expensive for what it is: a variable aperture, non-weather sealed zoom with a relatively narrow maximum aperture. It is also significantly heavier than the true budget zoom, the XC 50-230mm. 

Overall the 55-200mm sits in an strange position compared to the other XF zoom lenses; not as long a focal length as some, not as wide an aperture as others, and not weather sealed. 

However it provides excellent reach, image stabilization, and an aperture wide enough to be useful in moderately low light environments!

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Mount: X-Mount
Filter Diameter: 105mm
Minimum Aperture: f/22
Maximum Aperture: f/2
Aperture Blades: 9
Auto Focus: Yes
Stabilization: Yes
Weather Sealing: Yes
Minimum Focusing Distance: 5.9′ / 1.8m
Field of view: 8°
Weight: 5lb / 2270 g
Size: 4.8 x 8.1″ / 122 x 206 mm
Sample Photos: Photo 1, Photo 2, Photo 3

If you’re in need of a telephoto fast prime for distant portraits the XF 200mm f/2 is the longest prime lens in the XF lineup!

This is the dream lens for wildlife and sports photographers with deep pockets, creating shallow depth of field and beautiful background blur from the other side of a field with ease! Only Canon and Nikon flagship lenses like their 300mm f/2.8 models can compete!

Linear motors ensure fast, silent operation and the optical image stabilization system (OIS) helps prevent motion blur due to shaky hands from robbing your photos of sharpness!

Not only do we have supreme reach with shallow depth of field; the XF 200mm can also be paired with the XF1.4X Teleconverter for a f/2.8 420mm equivalent field of view! 

And if that’s still not enough the 2.0x Teleconverter gives you f/4 exposure and 60mm equivalent framing. Both teleconverters also preserve weather resistance and image stabilization.

The 200mm f/2 is razor sharp even wide open with flattering telephoto background compression. Color fringing is entirely absent and the color contrast is unbeatable! 

However, it’s hard to ignore that this lens weighs 2,260 g. – still less than the full-frame Canon and Nikon versions but by far the heaviest Fujifilm lens available. It is also the priciest lens Fujifilm makes!

However, there’s no other lens like this for the professional Fujifilm sports or wildlife photographer; for them, the XF 200mm f/2 is a mandatory purchase!

Check Buyer Reviews & Price for the Fujinon XF 200mm f/2 R LM OIS WR

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22. Fujinon XF 100-400mm F4.5-5.6 R LM OIS WR

Mount: X-Mount
Filter Diameter: 77mm
Minimum Aperture: f/22
Maximum Aperture: f/4.5-5.6
Aperture Blades: 9
Auto Focus: Yes
Stabilization: Yes
Minimum Focusing Distance: 5.7′ / 1.8m
Field of view: 16° – 4°
Weight: 3lb / 1375g
Size: 3.7 x 8.3″ / 95 x 210 mm
Sample Photos: Photo 1, Photo 2, Photo 3

The Fujifilm 100-400mm f/4.5-5.6 is the dream telephoto zoom lens for the XF lineup. Sports, wildlife, and nature photographers who need as much reach as possible won’t find a better option here.

The focal range is even better than advertised thanks to the 1.5x APS-C crop factor. We actually are using an incredible 150-600mm full-frame equivalent. You’ll be able to capture intimate views of shy wildlife and distant athletes no matter the distance. 

And if 600mm isn’t enough the XF 1.4x TC WR Teleconverter provides even more reach for up to an 840mm equivalent! Images throughout the range retain detail thanks to top quality optics and an advanced image stabilization system to prevent hand motion blur.

The weather resistant build also ensures dust and moisture in the outdoors won’t cause damage to your kit.

There are a few drawbacks to this magnificent lens. Weighing in at 1375 g. this lens weighs nearly as much as full frame zooms with an equivalent focal range and aperture. The aperture is also variable from f/4.5-5.6 which means exposure settings will adjust as you zoom.

Still, there is no other lens like it in the Fujifilm collection if you need a zoom with extra-long reach!

Check Buyer Reviews & Price for the Fujinon XF 100-400mm F4.5-5.6 R LM OIS WR

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